From Stockholm to Copenhagen via Rio: Art and Ecology in the Wake of the Global Summits

The pattern of world environmental summits has been one of raised hopes for global action in tackling ecological crisis, followed by disillusionment as dominant political and economic interests reassert themselves to block radical change. Contemporary art’s recent enthusiasm for environmental questions, which peaked during the media hype preceding the Copenhagen Summit, has an instructive prehistory in the interconnection of art and ecology in the 1970s, with the 1972 Stockholm conference slogan ‘only one earth’ a powerful rallying call for artistic collaborations.
In their talk at Muzeum Sztuki, art and sustainability theorists Maja and Reuben Fowkes explore the lessons of art’s engagement with ecology, from the first understanding of the crisis of human environment in the early 70s, to the global perspective ushered in by the end of the Cold War, with the popularisation of the idea of sustainable development at the Earth Summit in Rio de Janeiro in 1992, and the crystallisation of the debate between technocratic and radical approaches at the ill-fated Copenhagen Climate Summit in 2009.
Maja and Reuben Fowkes are contemporary art historians and curators. Their curatorial projects include the Revolution Trilogy (2006-9), the SocialEast Forum seminar series (since 2006), and the annual Symposium on Sustainability and Contemporary Art at Central European University Budapest (since 2006).
Their current exhibition project Loophole to Happiness will come to Muzeum Sztuki in January 2011. www.translocal.org

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